Taylor Eason | October 7th, 2011
For a few years now, the Alto Adige wine region in northeastern Italy has been a darling of mine. With a cooler climate than the rest of the heated Italian countrysides, the Pinot Grigios taste crisper, the eclectic reds are more refined and they grow a whole slew of interesting grapes from this rich, historic soil. Like Lagrein.
Read more: Wine review: Elena Walch 2010 Lagrein Alto Adige (Italy)
Taylor Eason | September 20th, 2011
King Estate specializes in Pinot Gris and Pinot Noir, and that’s what I’ve been sipping on these past eight years since I met them. Still family-owned — like most wineries in Oregon — they’ve expanded their horizons with their other, more affordable (and still tasty) Acrobat Pinot Noir and Gris. I really admire what these guys have been doing.
Read more: Wine reviews: King Estate 2009 Domaine Pinot Gris and 2008 Pinot Noir
Taylor Eason | August 22nd, 2011
Established in 1986 as the California home of Spain’s Ferrer family (who own Freixenet), Gloria Ferrer embodies the winning result of a large gamble placed 29 years ago. Sure, the Ferrers likely had some money to burn, but to throw down cash to buy 160 acres of land in Sonoma County’s unproven Carneros Valley takes some courage. However, they did have some experience in the bubbly arena.
Read more: Wine review: Gloria Ferrer Blanc de Noirs Sparkling
Taylor Eason | August 8th, 2011
When I explored the limitless wines of Italy’s Tuscany wine region during a trip last year, I became enamored of the high quality “Toscana IGT” labeled reds. These simple table wines helped salve my weary wallet, already weathered by the leather purse and jacket shops of Florence. But they weren’t just inexpensive — they were high quality sangiovese-based reds, reminiscent of the more expensive Chianti which normally cost a lot more money but often aren’t worth it.
Read more: Wine review: Banfi 2008 Centine Toscana
Taylor Eason | July 23rd, 2011
At last… a Cabernet that Napa Cab obsessives can drink everyday without opening up a new equity line on the house (if you can still get those nowadays?). Winemaker Cameron Hughes approaches wines a bit differently. He’s part of the growing trend of “traveling winemakers” who don’t own vineyards but take advantage of the bulk market to craft wines for less money.
Read more: Wine review: Cameron Hughes 2008 Cabernet Sauvignon Stag’s Leap Lot 189
Taylor Eason | July 17th, 2011
The J Vineyards 2010 Pinot Gris has a fabulously creamy mouthfeel but offers up a snappy, crisp finish. Medium-bodied and dangerously easy to slurp on a hot day. Aromas of honeyed peach, red apple and honeydew melon follow onto the tongue with a splash of lemon and ripe apricots. Almost Viognier-like in body and flowery aroma but with a lot more food-friendly acidity. Gorgeously well made and now, thankfully easy to find.
Read more: Wine review: J Vineyards 2010 Pinot Gris California
Taylor Eason | July 11th, 2011
Bravo to this deliciously affordable Italian red wine, made from two grapes few have heard of — Negroamaro and Primitivo (the Italian equivalent to Zinfandel) — and the ubiquitous Cabernet Sauvignon. Neprica also hails from an obscure region in Italy, Puglia — the heel of the boot — where vineyard land doesn’t fall into the ranks of the absurdly expensive. Puglia (also called Apulia) is an up-and-coming wine region, having shod their former lowly, bulk wine rep, and now competes successfully in the international red blend market.
Read more: Wine review: Tormaresca 2008 Neprica Puglia (Italy)
Taylor Eason | July 3rd, 2011
When I look at wine lists in Italian restaurants, it’s tragic that the Chiantis are are so damn expensive. Even for the lowest “Chianti” classification (what’s this?). I simply refuse to pay $40 restaurant pricing for something worth $15. So the other night, feeling the urge to spend more wisely, I ordered something a little different to pair with my savory red sauce, a Rosso di Montalcino.
Read more: Wine review: Il Poggione 2008 Rosso di Montalcino
Taylor Eason | June 23rd, 2011
There’s a bit of a backlash with oaky/buttery California Chardonnays now. A newfound love of the unadorned version — labeled “Unoaked”, “Virgin”, “Naked” or “Stainless Steel” — can be witnessed on retail shelves and on restaurant wine lists. The taste difference between oak-aged and/or fermented Chardonnay and those that don’t see wood can normally be summed up in one word: minerality. Washington State’s Buried Cane is on to something.
Read more: Wine review: Buried Cane 2009 Whiteline Chardonnay (No Oak)
Taylor Eason | June 20th, 2011
Chardonnay has become the whipping child of the wine world — the veritable before-the-ball Cinderella or Joan of Arc. But this unfortunate rep has a reason behind it. There are a crapload of disgusting, woodchipped and buttered Chardonnays lining shelves of every American retailer. And, like Merlot before Sideways busted its ass, the quality level simply plummeted into the deep sea of average wine. Sweet-lovin’ consumers fleeing White Zin, after the populist mocked them, found solace in the softer, fruitier Chardonnay grape. It was comforting and easy to drink, like a cold bottle of Kendall Jackson on a warm summer day. But enter the un-oaked Chardonnay.
Read more: Rediscovering Chardonnay wine: The unoaked version
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